RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
The Transtemporality of Online Performance
Stockholms universitet.
2016 (Engelska)Ingår i: Performance Research, ISSN 1352-8165, E-ISSN 1469-9990, Vol. 21, nr 5, s. 107-110Artikel i tidskrift (Refereegranskat) Published
Abstract [en]

This article examines notions of temporality of online performance as a way to rethink earlier debates about performance ontologies. Today, online, and increasingly mobile, technological activities such as photo and video sharing, instant messaging, blogging and social networking organise around performance practitioners' day-to-day existence. In this networked society, performances are constantly mediated through the prism of myriads of digital platforms. Because performances are enacted within or supported by digitally mediated networks and, this is crucial, they incessantly expand temporally, I will refer to online performance in terms of transtemporality, rather than depend on an ontology of unmediation and presence. I depart from Rebecca Schneider's Performance Remains (2011) where she argues how notions of performance, reiteration and documentation are intertwined and contingent, and from the recent performative answers to the logic of the archive found in Amelia Jones's and Adrian Heathfield's anthology Perform Repeat Record: Live Art in History (2012). I argue, by illustrations of Adam Weinert's performance work (2013-2014) as well as my own (2010-2012), that online performance is never fully present but immanently distended through remediation. Performances participate in inherently ruptured transtemporal networks (tweets, reperformances, blogging, video sharing) through which they are continuously remediated and transformed. I propose that online performance even might suggest that performance continuously escapes a sense of Being. Performance's ontology, or rather its ontogenesis proposed by Heathfield (2012), resides with the elements of transformation inherent in its online remediations.

Ort, förlag, år, upplaga, sidor
Taylor & Francis, 2016. Vol. 21, nr 5, s. 107-110
Nyckelord [en]
Educational Sciences, Utbildningsvetenskap, Arts, Konst
Nationell ämneskategori
Utbildningsvetenskap Konst
Identifikatorer
URN: urn:nbn:se:gih:diva-5478DOI: 10.1080/13528165.2016.1224339OAI: oai:DiVA.org:gih-5478DiVA, id: diva2:1265263
Tillgänglig från: 2018-11-22 Skapad: 2018-11-22 Senast uppdaterad: 2018-11-22

Open Access i DiVA

fulltext(581 kB)16 nedladdningar
Filinformation
Filnamn FULLTEXT01.pdfFilstorlek 581 kBChecksumma SHA-512
2f2d71e624febb870171713b681f2d5347f1f304214ca18e0e41b5951212f4672962f34cc6f3cf668c8bc411c972456e99501593ecc1eb1d069eff11ae74e339
Typ fulltextMimetyp application/pdf

Övriga länkar

Förlagets fulltext

Sök vidare i DiVA

Av författaren/redaktören
Engdahl, Christopher
I samma tidskrift
Performance Research
UtbildningsvetenskapKonst

Sök vidare utanför DiVA

GoogleGoogle Scholar
Totalt: 16 nedladdningar
Antalet nedladdningar är summan av nedladdningar för alla fulltexter. Det kan inkludera t.ex tidigare versioner som nu inte längre är tillgängliga.

doi
urn-nbn

Altmetricpoäng

doi
urn-nbn
Totalt: 123 träffar
RefereraExporteraLänk till posten
Permanent länk

Direktlänk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf