Gymnastik- och idrottshögskolan, GIH

Performance anxiety is a major issue for performing artists. This qualitative paper extends our recent mixed-methods collective case study showing the beneficial effects of psychological interventions for managing performance anxiety, tailored in individual coaching settings. Here, we report on participants’ experiences of being coached, their understanding of how and why the interventions were effective, and the researcher-coach's experiences. Ten performing artists received five individual coaching sessions and were interviewed about their experiences pre- and post-intervention. A qualitative synthesis of transcripts of sessions and interviews, and of the coach's field notes and journal entries, was conducted. Findings suggest that change mechanisms have to be understood in the context of participants’ enhanced self-awareness during coaching, and the process of co-creating solutions and building a coaching relationship through mutual understanding and appreciation. While disentangling mechanisms and effects may not always be possible, we discuss useful strategies in coaching performing artists to manage performance anxiety. 

The world of ballet education is steeped in a tradition of discipline and established hierarchy. The authoritarian pedagogical approach to ballet education and its negative consequences have been well documented in the dance-specialized literature. However, research on emotional abuse in dance is scarce. In sports, emotional abuse has been extensively researched, and the concept of psychological safety as applied to sports has been developed to protect athletes from such abuse. The present study investigated ballet students’ perceptions of psychological safety and their recommendations to reach it. Their recommendations focused on respecting students’ abilities, individualities, and increasing communication on all levels of interactions. Particular importance was also given to avoiding comparison and competition. Through the recommendations given to teachers, fellow students, parents, and school directors, the participants help us understand what is needed to increase psychological safety in ballet education and provide a healthier psychological environment for future dancers. 

Despite the intense and long-standing interest surrounding early sport specialisation, scholars still debate its nature and implications. Previous researchers have also identified the need for further research relating to the psychological aspects of early specialisation such as lower quality motivation, dropout and burnout. To help guide future research it is important to build upon the quantitative literature concerning such psychological aspects of early specialisation. The specific aims of this paper are to provide an overview of research results of quantitative studies that set out to explore relationships between early specialisation and psychological aspects, and to critically examine the designs of such studies. As such, study design characteristics including participant demographics, the psychological aspects represented, and the research questions and results are explored. Data searches were conducted in PubMed, SportDiscus, and PsychINFO using search terms such as "early sport speciali*". Twenty-one relevant papers met the inclusion criteria. The results highlight that the published papers in this area are broad in some respects (variety of sports, performance levels, and gender), but narrow in others (North American dominance, few psychological aspects explored, and few papers per psychological aspect). Many of the studies are based on cross-sectional and retrospective self-reports. Overall, this paper serves as a foundation on which to design future research studies in this area.

INTRODUCTION: Dancers are expected to navigate major challenges in their careers that might take a toll on their physical and mental health. To address underlying factors that might increase dancers' mental and physical health difficulties, research suggests the systematic use of techniques to build mental skills that can reduce risk factors and enhance protective factors against the challenges dancers encounter. However, existing mental skills training interventions in dance present a lack of consistency in design, content and duration, making it difficult to provide evidence-based recommendations. Hence, dance researchers and practitioners would benefit from a mixed methods systematic review (MMSR) of the why, what and how of these interventions. Adopting tools such as the Template for Intervention Description and Replication (TIDieR) can aid this endeavour by describing replicable aspects of interventions, thus offering dance researchers suggestions on how to understand, appraise and report intervention characteristics and processes in dance. Therefore, this protocol outlines a MMSR that will employ TIDieR to identify and assess characteristics of mental skills interventions in dance.

METHODS AND ANALYSIS: A systematic search will be undertaken in Psycinfo, Medline, Embase, Sportdiscus, Web of Science and the first 30 pages of GoogleScholar. Following the search, two reviewers will independently screen identified studies in Covidence. One reviewer will extract data using the TIDieR framework and the Mixed Methods Appraisal Tool (MMAT) for quality appraisal, while a second reviewer will check a sample of extracted studies for accuracy. A convergent integrated synthesis will be conducted where quantitative and qualitative evidence will be integrated by qualitising the quantitative data into textual descriptions.

ETHICS AND DISSEMINATION: There is no requirement for ethical approval for this systematic review as no empirical data will be collected. The findings will be disseminated through a peer-reviewed publication in a scientific journal and presentations in several different forums (eg, a dance psychology network, at scientific and applied conferences).

PROSPERO REGISTRATION NUMBER: CRD42024537249.

While there is a lack of research into abuse in elite dance, numerous allegations of emotional, sexual and physical abuse of dancers can be found anecdotally in the media, legal convictions and personal accounts. As more dancers speak out, the scale of the problem within preprofessional schools and professional companies is becoming apparent. Accordingly, effective safeguarding mechanisms for preventing, identifying and reporting abuse are urgently needed. This viewpoint is intended to raise health professionals' awareness of factors contributing to abusive practices found in dance environments and the potential clinical implications of abuse to dancers' health and well-being. We also call for research and policy engagement on safeguarding and abuse prevention designed and implemented in partnership with stakeholders, aiming to promote safe and positive dance environments for all.

Although “making it” in dance has long been associated with a performance career, few dancers solely perform and many also pursue choreography and/or teaching. Considering these many ways of being a dance artist, the aim of this study was to understand (a) the psychological characteristics which are perceived to be facilitative of engagement and well-being in dance, and (b) the experiences that dancing itself provides that encourage engagement and well-being. Eight dancers in vocational ballet training and 17 professional dance artists, all of whom had performed and/or taught and/or choreographed, participated in semi-structured interviews which were analyzed using thematic analysis. Key themes of a) intrinsic motivation to dance, b) psychological characteristics in the dancer, and c) basic psychological need satisfaction in dance were found. It is important to equally nurture intrinsic motivation across dance training, performance, choreography, and teaching to promote engagement and well-being across the training and career span.

The relationship between perfectionism – perfectionistic strivings and perfectionistic concerns – and athletic performance is contested and inconsistent. The present study explored the possibility that one explanation for this inconsistency is the assumption that the relationship is linear. In two samples, we tested alternative non-linear relationships between perfectionism and real-world competitive athletic performance. Sample one comprised 165 Swedish track and field athletes (57 % competing in female category, 42 % in male category; Mage = 16.93 years) and sample two comprised 157 British track and field athletes (55 % competing in female category, 43 % in male category; Mage = 18.42 years). Testing for linear and non-linear relationships, we found a quadratic effect whereby higher perfectionistic strivings had both positive increasing (i.e., U-shape; sample 1) and positive decreasing (i.e., inverted U-shape; sample 2) relationships with performance. We conclude that there may be circumstances when perfectionistic strivings contribute to better and worse sport performance, and that this relationship can be curvilinear.

In this small-scale study we investigated ballet teachers’ views and experiences of autonomy and autonomy support. For this purpose, we conducted semi-structured interviews with six ballet teachers in a prestigious pre-professional ballet school in Europe. Findings indicate that when and how autonomy was provided seemed to be impacted by whether a teacher either challenged or adhered to ballet ideals. By using the Circumplex Model of motivation, three different levels of autonomy support could be identified: high autonomy support, moderate autonomy support, and controlling approaches. The findings present a nuanced picture of ballet teachers’ views, experiences, and teaching styles and suggest that dance educators move on a continuum of autonomy supportive and controlling behaviors.